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Mark
Bly
is
in his tenth season as Associate Artistic Director
at Yale Repertory Theatre and Chair of the Playwriting
Program at Yale School of Drama. Over the past
ten years at Yale Repertory Theatre, he has served
as a co-producer helping to produce more than
50 productions, including 11 world premieres.
Previously,
he was Artistic Associate/ Dramaturg at Seattle
Repertory Theatre and Dramaturg at Guthrie Theater,
where he served as production dramaturg for many
new plays, classics, and translations. He has
dramaturged more than 60 productions at Guthrie
Theater, Arena Stage, Seattle Repertory Theatre,
The Joseph Papp Public Theater/New York Shakespeare
Festival, Manhattan Class Company, Long Wharf
Theatre, Steppenwolf Theatre, and Yale Repertory
Theatre, working with directors such as Liviu
Ciulei, Garland Wright, Liz Diamond, Daniel Sullivan,
Douglas Hughes, JoAnne Akalaitis, Stan Wojewodski,
Jr., Emily Mann, and Peter Sellars. In 1986, he
worked as the dramaturg for the Broadway production
of Execution of Justice. He served as the
dramaturg for the premiere of Suzan-Lori Parks'
The America Play, which transferred from
Yale Rep to The Joseph Papp Public Theater in
New York. He was Stan Wojewodski, Jr.'s production
dramaturg on the Yale Repertory Theatre production
of Hamlet.
Mr.
Bly was co-founder of the Minnesota Young Playwrights.
He was an on-site evaluator for the National Endowment
for the Arts from 1984 to 1986 and was a reader
for their 1991 Playwriting Fellowships Program.
This year, Mr. Bly served again as a play reader
for the Eugene O'Neill Theater Center. Mr. Bly
is the Creator and Co-Director of the Yale Playwrights
at New Dramatists Program and the Yale Playwrights
at New Dramatists Play Reading Festival. He has
taught at Yale University, Boston College, Fordham
University, DePaul University, and at the University
of Washington. He has written for Dramaturgy in
American Theater: A Sourcebook, American Theatre,
Theatre Symposium, Dramatists Sourcebook, Minneapolis
Star Tribune, Theatre Journal, and Yale's Theatre
magazine as a Contributing Editor and Advisory
Editor.
He
did his graduate work at Yale, and created and
now heads the Production Notebooks Project for
the Literary Managers and Dramaturgs of the Americas.
The first volume of Production Notebooks: Theater
in Process, edited by Mark Bly, was published
by Theatre Communications Group in 1996, and Volume
II of the series will appear in 2001.
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